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Tremendo Cambur, Digital Photography, 2016. Andreina Fuentes

When Food of War (FoW) began, the initial premise was to explore the relationship between Food and Conflict through art. However, while mixing their multidisciplinary backgrounds and their need to express that concept, food itself emerged not only as part of their message but as a tool to communicate it.

Finjamos demencia | Manifiesto GenX

Finjamos demencia | Manifiesto GenX

Hagamos de cuenta que todo funciona en nuestras cápsulas.
Actuemos como si no hubiera guerra del otro lado del mundo ni enfrentamientos entre conciudadanos por la permanencia de bacterias contaminantes. Estemos aquietados ante la estridencia de otras ideas que insisten en hacerse escuchar. Permanezcamos en posición de loto a pesar de la condición gastada del cojín…. nos comenta Florángel Quintana

Un asesino, una ciudad y una chica: la historia de la primera actriz moderna

Un asesino, una ciudad y una chica: la historia de la primera actriz moderna

Louise Brooks, conocida hasta ese momento por su icónica imagen en la pantalla, escribió un artículo agudo y anticipado sobre El gran Gatsby (1925), la novela de F. Scott Fitzgerald. Sin firmar y publicado en distintas revistas culturales, el texto no solo repasaba la estructura de la novela, sino que afirmaba con contundencia que Fitzgerald y su obra alcanzarían la categoría de clásico

Indira Páez y su segundo poemario “Animal de mudanza” | Reseña de Alberto Márquez

Indira Páez y su segundo poemario “Animal de mudanza” | Reseña de Alberto Márquez

La escritora Indira Páez publica su poemario Animal de mudanza (MEL Projects Publishing), una exploración frontal del exilio y la memoria. El libro, analizado críticamente por Alberto Márquez como un testimonio de resistencia y avería doméstica, celebra su presentación en Miami con un recital solidario destinado a la reconstrucción de escuelas de Fe y Alegría en Venezuela.

MONSTER: La Historia de Lizzie Borden | Series Sobre 9 

MONSTER: La Historia de Lizzie Borden | Series Sobre 9 

Se trata de Lizzie Borden, una joven de familia adinerada quien se volvió la principal sospechosa en el doble asesinato de su padre Andrew Borden y de su madrastra Abby Borden, hecho ocurrido en su propia casa el 4 de agosto de 1892. Sin embargo, posterior al sonado juicio que se llevó a cabo, Lizzie quedó absuelta.

Proyecto ArchivoAbierto de Mercedes Pardo | Galería ABRA

Proyecto ArchivoAbierto de Mercedes Pardo | Galería ABRA

El proyecto ArchivoAbierto forma parte del programa anual de ABRA desde su apertura en 2016, y procura –a través de exhibiciones de archivos, fuentes documentales, acervos personales o institucionales, y textos informativos–impulsar el resguardo, la valoración y el estudio del arte contemporáneo de Venezuela.

Wilmer Useche: La onda y color como frecuencia | Geometría Viva

Wilmer Useche: La onda y color como frecuencia | Geometría Viva

Wilmer Useche, reafirma la vigencia del arte geométrico y cinético en el contexto contemporáneo, él demuestra que la exploración de la línea, la luz y la percepción sigue siendo un territorio fértil para la creación plástica, su obra a pesar de estar arraigada a una tradición profundamente latinoamericana

Rabbit operation, Performance at Saatchi Gallery, London, UK, 2022. Food of War

First there were edible pieces which surprised audiences in FoW’s initial shows. The convention of wandering in front of an art work is challenged by a different approach - eating it, taking it literally inside of the body. Such interaction bridged a pre-established distance between audiences and artists and brought the guard down on both sides. As a result of this closeness, the collective pushed the concept further with a series of Gastroperformances lead by Simone Matar where there is food, music, acting and other artistic elements. These in turn amped up the level of theatricality and laid out a sense of narrative directed by the performers and artists. The response of the audience was tremendous but due to a combination of factors, including the pandemic, ongoing research and collaboration with curator Gabriella Sonabend, the collective embraced the challenge of creating immersive spaces with a tasting element.

Saint Sebastian, Sculpture, 2022. Food of War & Ricardo Cinalli

The spirt of the colony, immersive space, London,UK 2020. Food of War

During iterations of these two spaces that revolved around the idea of the bee apocalypse, Food of War escalated its approach on the issue from every possible way they could engage anyone who entered the room. Starting with paintings, sculptures, installations, edible art and performers, the viewers were “ambushed” by sounds, scents and a whole interior designed carefully prepared for the experience and that is how the idea of Immersive Gastronomy took shape. Contrary to a gastroperformance where the narrative is controlled by the artist who presents the act to an audience and dictates the entire narrative, in immerse gastronomy viewers have more control over the experience as they decide the order in which they explore the space, what to do, how to interact, what to engage and ignore and even when to leave.

Soon after, Food of War created “The Forbidden Fruit”, their first Immersive Gastronomy Experience (IGE) in order to explore the rich thematic variations in this concept. To that end, this is FoW’s definition of IGE:

It is an experience that elicits the realistic feeling of being in a space created to stimulate the audience's senses enhancing their gustative process through an artistic setup, while its contents are also mobilizing thought. Immersive Gastronomy places the body in a space and time to use senses as mediators for building memories and knowledge that connect to our time, society, culture and politics. It contains actors and characters who bring food to life, telling a story or interacting with guests while they immerse in an artistic environment surrounded by food as medium and content.

Food of War’s journey looks to evolve the quest to engage with audiences – strengthening and expanding the concept of  IGE as a new form of artistic expression.  

The Food of War menu is luxuriant and enticing!

Beer War - Crimea, Digital Photography, 2015. Food of War

Rabbit operation, Performance at Saatchi Gallery, London, UK, 2022. Food of War

Bad Monkey, Food installation at Saatchi Gallery, London, UK, 2022. Food of War & Andreina Fuentes

Gerardo Zavarce holds a BA from the Universidad Central de Venezuela (UCV, 2000). He is a researcher, developer and adviser in the area of culture and visual arts. He has taught in the departments of sociology of art, analysis of socio-cultural state, aesthetic seminar, and community service at the arts school of the UCV. He has participated as an organizer and speaker at national and international events, and is a regular contributor at various publications. He currently works as a consultant and researcher at the Arts Connections Foundation, Miami, USA), member of the project team of CIUDLAB. (Caracas, Venezuela). Actually He live and work in Santo Domingo, Dominican Republic. 
Instagram es a @zavarcegerardo

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¿Importa saber qué es “farmear áurea”?, me tomó por sorpresa en un sueño y desperté a las 3 de la mañana sabiendo con perfección que esa fue una pregunta que rasgueaba desde otro plano. Okey, no sé, solo repito lo que los sabios de TikTok indican sobre despertar a esa hora como una pulsión desde otro estadio que te manda señales … nos comenta Florángel Quintana

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